MARISA TRADITIONAL MARKET DESIGN SYGN SYSTEM DESIGN
DESIGN
Abstract
The need for a sign system at the Marisa traditional market will make it easier for visitors to get information. Designing a sign system in an attractive, effective, informative and communicative market area will be the right solution. The purpose of the design is to make it easier for visitors to recognize the shopping flow and layout of the Marisa Traditional Market. This study uses a design method with a qualitative approach as a technique in collecting data. The design method is intended to produce a product in the form of a Marisa Traditional Market sign system design. While the qualitative approach is used as a way to find and collect data from the field. The data were then identified and analyzed descriptively using 5 W + 1 H so that it gave birth to a sign system design concept for the Marisa traditional market. Next, the concept is visualized until it becomes the final design in the form of the Marisa Traditional Market sign system
References
[2] M. S. Andrijanto, “PERANCANGAN ALTERNATIF SIGN SYSTEM SEBAGAI DI PASAR LEGI KOTA GEDE SIGN SYSTEM ALTERNATIVE DESIGNING AS SALES INFORMATION SALES terdapat permintaan dan penawaran begitupun dengan Yogyakarta yang Legi Kotagede Yogyakarta . Pasar Legi abad 16 . Pasar ini ju,” 2010.
[3] A. S. Mahbub and T. C. Kusumandyoko, “PENGEMBANGAN SIGN SYSTEM KAMPUS UNESA LIDAH WETAN Afrizal Saiful Mahbub Abstrak,” Pengemb. Sign Syst. Kampus UNESA Lidah Wetan, no. 2, pp. 610–624, 2017.
[4] sugiyono, memahami penelitian kualitatif. Bandung: alfabeta, 2012.
[5] P. Ipa and S. Di, “Perancangan Komunikasi Visual Sign System Semen Padang Hospital,” 2017.
[6] sumbo tinarbuko, Ed., semiotika komunikasi visual, Revisi. Bandung: jalastura, 2014.
[7] Y. A. L. Hermanto, “Identifikasi Ilustrasi-Tipografi Graphic Vernacular Sebagai Sistem Tanda & Identitas Warung Tenda Di Kota Malang,” JADECS (Jurnal Art, Des. Art Educ. Cult. Stud., vol. 3, no. 2, p. 74, 2019, doi: 10.17977/um037v3i2p74-83.
[8] Y. A. Kembaren, G. Kartono, and M. Mesra, “Analisis Karya Poster Berdasarkan Unity, Layout, Tipografi, Dan Warna,” Gorga J. Seni Rupa, vol. 9, no. 1, p. 121, 2020, doi: 10.24114/gr.v9i1.18187.
[9] M. Monica, “Pengaruh Warna, Tipografi, dan Layout pada Desain Situs,” Humaniora, vol. 1, no. 2, p. 459, 2010, doi: 10.21512/humaniora.v1i2.2887.
[10] I. B. Subianto, P. Anto, and T. Akbar, “Perancangan Poster sebagai Media Edukasi Peserta Didik,” J. Desain, vol. 5, no. 03, p. 215, 2018, doi: 10.30998/jurnaldesain.v5i03.2425.
[11] animashiteru, “Font Franklin Gothic,” animashiteru. https://animashiteru.wordpress.com/2011/09/09/font-franklin-gothic/ (accessed Nov. 10, 2021).
[12] A. N. Hantari and Ikaputra, “Wayfinding Dalam Arsitektur,” vol. 17, no. 2, pp. 1–9, 2020.
2.png)
