Brick Wall Texture Projection Using Parameters for 3D Game Environments
DOI:
https://doi.org/10.51903/pixel.v18i2.3318Keywords:
texture, 3D game asset, in-app parameters, texture projectionAbstract
Texture creation has been one of the important aspects in creating 3D environment. It could support an object that could be identified by the viewer. There has been software that providing the creation of a texture for a playable 3D game asset. The purpose of this research was to find the method of making a wall texture and to show the in-app parameters that could be applied. The objective of this research is to find any possible limitation toward using the software. As a step to make exploration thoroughly, a brick wall design has been made with initial modelling in ZBrush and Maya app. Followed by the usage of Substance 3D Painter as a variable to control the texture modification. There was more in-depth explanation in creating a defined surface texturing with in-app technical parameters.
References
[1] Saputra MG, Andelina IR. Analysis of Interface Design in the Game Honkai Star Rail Using the Usability Heuristics Principles of UI. Gameology and Multimedia Expert 2025;2:7–16. https://doi.org/10.29103/game.v2i1.19957.
[2] Lievianto KV, Erlyana Y. The Design of 3D Virtual Reality Animation of Javan Rhino for Educational Media of Endangered Animals in Indonesia. Teknika 2024;13:254–63. https://doi.org/10.34148/teknika.v13i2.897.
[3] Li J, Arevalo K, Tovar M. Creating Games with Unreal Engine, Substance Painter, & Maya. Boca Raton: CRC Press; 2021. https://doi.org/10.1201/9781003053101.
[4] Cantrell, B & Yates N. Modelling the Environment: Techniques and Tools for the 3D Illustration of Dynamic Landscapes. New Jersey: Wiley; 2012.
[5] Leja ED, Wicaksono MA, Saputra MG, Yuliana RI. Analysis of level of detail as game optimization method in Mobile Legend’s character. Deskomvis: Jurnal Ilmiah Desain Komunikasi Visual, Seni Rupa Dan Media 2025;6:13–26. https://doi.org/10.38010/deskomvis.v6i1.92.
[6] Kumar A. Beginning PBR Texturing: Learn Physically Based Rendering with Allegorithmic’s Substance Painter. 1st ed. APress; 2020. https://doi.org/10.1007/978-1-4842-5899-6.
[7] Shah ZJ. Realistic Asset Creation With Adobe Substance 3D. Birmingham: Packt Publishing; 2022.
[8] Verhoeven GJ, Archaeology V. COMPUTER GRAPHICS MEETS IMAGE FUSION : THE POWER OF TEXTURE BAKING TO SIMULTANEOUSLY VISUALISE 3D SURFACE FEATURES AND COLOUR 2017;IV:295–302. https://doi.org/10.5194/isprs-annals-IV-2-W2-295-2017.
[9] Zhang C, He B, Guo R, Ma D. When a tree model meets texture baking: an approach for quality-preserving lightweight visualization in virtual 3D scene construction. Int J Digit Earth 2023;16:645–70. https://doi.org/10.1080/17538947.2023.2177758.
[10] Creswell JW. Research Design: Qualitative, Quantitative and Mixed Methods Approaches. 3rd ed. Sage P; 2009.
[11] Ahearn L. 3D Game Environments: Create Professional 3D Game Worlds. 2nd ed. Boca Raton: CRC Press; 2017.
[12] Lanier L. Advanced Maya Texturing and Lighting. 3rd ed. Germany: Wiley; 2015.
[13] Venancio V. Blender 3D Asset Creation for the Metaverse. 1st ed. Packt Publishing; 2023.
2.png)
