Transformation Of The Traditional Dance Choreography Of Molapi Saronde Gorontalo

Siska Udilawaty; Risti Puspita  Sari Hunowu

doi:10.51903/pixel.v15i1.726

Authors

Siska Udilawaty Universitas Ichsan Gorontalo
Risti Puspita Sari Hunowu Universitas Ichsan Gorontalo

DOI:

https://doi.org/10.51903/pixel.v15i1.726

Keywords:

Molapi Saronde, Saronde Kreasi, choreographic

Abstract

This study discusses the change in the choreography of the traditional Molapi Saronde dance to the Saronde Kreasi dance in the city of Gorontalo. This research will focus on the changes that occur in the choreography of the Molapi Saronde dance, the creation of the Saronde dance, because along with the times, the dance which was usually only performed at traditional weddings among kings (nobles) has now become a public dance that can be held for entertainment events such as welcoming guests. The purpose of this research is to find out the changes that exist in the traditional Molapi Saronde dance to the creation of the Saronde dance and to analyze further about the changes in the choreographic movement of the Molapi Saronde dance related to the traditional values that exist in Gorontalo. this research is qualitative. Benefits This research provides new knowledge to the millennial generation and tourists who want to know the meaning of each choreographic change in the Molapi Saronde dance and the Saronde Kreasi dance. The results of this study determine the changes and differences in the traditional dance from the Molapi Saronde to the Saronde Kreasi dance.

References

[1] Sumandiyo Hadi. (2007). kajian tari teks dan konteks. Yogyakarta: Pustaka Book Publisher
[2] Artur S. Nalan (editor), (1999). “Aspek Manusia Dalam Seni Pertunjukan”, STSI Press, Bandung,
[3] Udilawaty, Siska. "Visual study of molapi saronde dance clothing and choreography in gorontalo city." ARTic 4 (2019): 155-166.
[4] Paneli, Dwi Wahyu Wirawan. "Transformasi Pertunjukan Wayang Orang Komunitas Graha Seni Mustika Yuastina Surabaya." JADECS 2.2 (2017): 74-97
[5] Dewi, Anggraeni Purnama. "Komodifikasi Tari Barong di Pulau Bali (Seni Berdasarkan Karakter Pariwisata)." Panggung 26.3 (2016).
[6] Maghfirah, Auliana Mukhti, and Erlinda Erlinda. "transformasi pencak silat parian menjadi tari garigiak di istano tuan gadang batipuah kecamatan batipuah kabupaten tanah datar." Gorga: Jurnal Seni Rupa 8.1: 137-142
[7] Sucitra, I. Gede Arya. "Transformasi sinkretisma Indonesia dan karya seni Islam." Journal of Urban Society's Arts 2.2 (2015): 89-103
[8] Hidayatullah, Riyan. "Transformasi tari bedana tradisi menjadi tari bedana kreasi." Aksara 18.2 (2017): 178-191.
[9] Desmawati, Nur. Transformasi Deo Kayangan Menjadi Tari Mambang Deo-deo Kayangan di Pekanbaru. Diss. INSTITUT SENI INDONESIA SURAKARTA, 2017.
[10] Gunarta, I. Wayan Adi, and Ida Ayu Wayan Arya Satyani. "Tari Ghora Manggala: Transformasi Makna Ngerebeg Dalam Bentuk Karya Tari." Kalangwan: Jurnal Seni Pertunjukan 6.2 (2020): 116-126